Crafting History: Philadelphia Woodwork and Furniture in Context at Stenton

On Tuesday, October 3rd at 1:00 Stenton curator Laura Keim and I will be leading a virtual tour and discussion at Stenton in Germantown, Philadelphia.

Exterior front facade of Stenton’s main house, 1723-1730. Image courtesy of Stenton Museum.

Stenton house, built for James Logan (1674-1751) and his family, was completed in 1730 and has been maintained by  the National Society of The Colo­nial Dames of America in the Common­wealth of Penn­syl­va­nia since 1899. Our tour is jointly presented by The Furni­ture Society and Stenton Museum as part of TFS’s FS Connects series. The event is free and open to all. A link to register can be found by clicking Here. The event will also be recorded for viewing at a later time.

Ground floor parlor at Stenton. Image courtesy of Stenton Museum.
Second story lodging room at Stenton. Image courtesy of Stenton Museum.

To furnish the house, Stenton Museum has actively sought out objects that have Logan family and Stenton connections. The furnishings consist of objects returned to the house by Logan family descendants, material unearthed during on-site archeological digs, marketplace purchases by the Colo­nial Dames of America in the Common­wealth of Penn­syl­va­nia, and long-term loans, all aided by surviving 18th century probate inventories taken at the time of James and his wife Sarah’s deaths in 1751 and 1754 respectively. This singular attention to a furnishing plan has allowed Stenton Museum to craft a unique and engaging range of interpretive experiences that variously highlights three generations of Logan families who lived at Stenton as well as those working the plantation and running the household including tenant farmers, indentured servants, and enslaved people of African descent.

Side chair. Black walnut and hard pine. Made in Philadelphia c. 1730. Stenton Museum collection.
Detail of seat rail of the chair in the previous image. Black walnut veneer on black walnut.

Our tour and discussion will focus attention on an additional way Stenton can be experienced, by highlighting the work of the carpenters who designed and built the main house at Stenton and the joiners and cabinetmakers who crafted the furniture in the rooms with attention paid to form, materials, and construction.

Detail of a drawer from a high chest. Black walnut, yellow poplar, Atlantic white cedar, iron. Dietrich American Foundation collection.
Detail of a turned stretcher from a rush-seat couch. Made in Southeastern Pennsylvania, c. 1750. Dietrich American Foundation collection.

In addition to material in the collection of Stenton Museum and long-term loans there are several recent loans that will illustrate a theme we will be discussing throughout the tour, how historians craft history over time and how this can be understood as a creative endeavor.

Compassed black walnut armchair made in Philadelphia, c. 1755 on loan to Stenton museum.
The Philadelphia compassed armchair in the previous image. Image courtesy Christie’s.
Bottom of the loose seat of the Philadelphia compassed armchair. The names and dates of three generations of owners are carved on the bottom of the original loose seat. Image courtesy Christie’s.
The armchair in the previous images appears in numerous late 19th century photographs. Image courtesy of the Library Company of Philadelphia.
Turned and inlaid relic box presented to Deborah Norris Logan (1761-1839) from John Fanning Watson (1779-1860). Stenton Museum.
Working at Stenton, 2014.

One thought on “Crafting History: Philadelphia Woodwork and Furniture in Context at Stenton

  1. Pingback: A Venerated Armchair, Part 1 | In Proportion to the Trouble

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