The high chest with the paper label of Thomas Tufft in the collection of the Philadelphia Museum of Art has not been web published to date but is on display in the American Art galleries in the museum. The carved fronds that would have spiraled off the volutes of the scroll mouldings are missing and the urn and flower cartouche is a late 19th or early 20th century replacement but is an appropriate restoration.
The upper section with its straight cornice and scroll mouldings above gives a good indication of the appearance of the missing upper case of the high chest that is the mate to the dressing table of the restoration project.
In an invoice for furniture made to Mrs. Mary Norris and paid in full February 24, 1784 , Thomas Tufft described himself as “Joyner” and charged Norris 45 pounds “To One pair Mahogany Drawers With fret & dentels & Table to suit.” On the same invoice Tufft charged Norris 1 shilling 6 pence for “One roling Pin” – wood not recorded. Tufft was clearly ready to furnish your house top to bottom. “Mahogany Drawers With fret & dentels” is a suitable description of the labeled high chest at the PMA, though the extent of the carved decoration on the high chest ordered by Mary Norris is unknown.
A detail of the fret and brass drawer pull shows Tuffts attention to detail in the correspondence between their designs. While Tufft chose to center the fret on the quatrefoil device, and not have the diamond pattern line up over the center drawer pull of the top tier, the pulls on the long drawers do roughly line up under the diamond motifs of the fret.