The March 2022 issue of Maine Antique Digest has an article by Lita Solis-Cohen on the sale of the Pfaffenroth collection that was sold at Sotheby’s on January 19. The dressing table I restored in 1993 is illustrated in the article. The caption mentions my blog posts about the restoration and how Erik Gronning found … Continue reading Dressing Table Sells at Sotheby’s
Author: Christopher Storb
Inlaying Dots Part II
A detail of the box from the William K du Pont collection. The box, the chest-on-stand from the same sale, and the desk in the collection of the Dietrich American collection can all be attributed to the same shop based on similarities of the inlay design. There are 46 inlaid dots on the top, front, … Continue reading Inlaying Dots Part II
Inlaying Dots Part I
One of the things I’m hoping to accomplish with this series of posts is to give a broader understanding of the amount of labor (as well as imagination and technical ability) – hence cost to the consumer – that is required to create the objects illustrated in the previous post with the complex light-wood sting … Continue reading Inlaying Dots Part I
Stringing Inlay Designs, Part II
The abstract geometric bi-lateral designs of light-wood stringing terminating with clusters of three multi-wood species dots inlaid on solid black walnut drawer fronts seen on several chests of drawers in the previous post has long been associated with Chester County, Pennsylvania. A single motif is centered on the drawer pull of each short drawer and … Continue reading Stringing Inlay Designs, Part II
Stringing Inlay Designs, Part I
The simplest designs of line and dot inlay on Southeastern Pennsylvania furniture are found on framed, or wainscot, chairs. Several surviving chairs, possibly from the same set, have stringing in the form of a quarter of a circle inlaid in the corners of the back panel. Side chair. Black walnut. Southeastern Pennsylvania. Possibly Philadelphia. Winterthur … Continue reading Stringing Inlay Designs, Part I
In Proportion to the Trouble 